Capturing the city's relentless energy and vibrancy of São Paulo, director Marcelo Caetano's unflinching drama zooms in on those who live on the fringes of an perpetually shifting metropolis. Recently released from juvenile prison, 18-year-old Wellington (João Pedro Mariano) faces a critical turning point; abandoned by his parents, the impressionable young man seeks comfort in the arms of others.
On an night on the town with his boisterous group of queer and non-binary friends, Wellington meets Ronaldo (actor Ricardo Teodoro), a hunky, charismatic hustler over double his age. Bathed in the wavering neon of a XXX cinema, their first meeting is physical and passionate, with an edge of danger. Ronaldo swiftly initiates Wellington to the clandestine realm of prostitution and drug dealing.
Caetano depicts Wellington’s new life of crime with tender empathy as opposed to as a exploitative warning story. Now adopting the moniker Baby, he approaches his transactional encounters with swaggering confidence and poignant gullibility. To his patrons, Wellington lends not only his youth and his body, but also moments of care.
In the electrifying chaos of São Paulo, filled with busy lanes and brightly painted facades, there’s a deep-seated solitude, as adrift individuals hold fast to one another for temporary happiness.
"The streets can be riddled with risk, yet they are the place where they can discover chosen kin, too."
Ronaldo is at once a romantic interest and a protective father figure to Wellington, but their bond is sabotaged by envy and monetary insecurity. Dangers posed by shady figures in the criminal underworld pale in comparison to the dread of government monitoring and imprisonment, symbolized by the looming presence of police officers in the area.
Baby is especially potent as a perceptive study of the forgotten souls who have slipped through the gaps the system. The film stands as a poignant exploration into survival, chosen family, and the quest for purpose within a unforgiving urban landscape.
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